CONTENTS – ISSUE 77 2023
WHY I ADOPTED THE NIKON Z SYSTEM
By David Morley
David Morley tells us how he came to adopt the Nikon Z System.
THE Z MC 105mm F/2.8 VR S REVIEW
By Robert Thompson
Acclaimed close-up and natural history photographer Robert Thompson brings considerable expertise to his review of the Z MC 105mm f/2.8 VR S lens.
THE DEER HUNTER: 70-200mm F/2.8 S vs 100-400mm F/4-5.6 S, Nikon 100-400mm F/4-5.6 S
By Becky Danese
Becky Danese, Nikon Owner technical writer, live-stream queen, author, photographer, artist and musician explains why she decided to compare these two zoom lenses.
RWANDA – MEETING THE MOUNTAIN GORILLAS
By Andrew Main Wilson
Andrew Main Wilson spends sixty magical minutes with the mountain gorillas in Rwanda.
THE NIKKOR Z 24-120mm f/4 S LENS REVIEW
By Simon Stafford
Technical guru Simon Stafford discusses the attributes of the Z 24-120mm and explains why it makes for a very compelling choice.
THE PHOTOGRAPHIC WORD
By Gillian Greenwood
Features Editor Gillian Greenwood examines the many ways photography has changed our viewpoint of the world, whether it unlocks the door to a breathtaking new realm or allows us to share a moment of collective empathy.
BECKY’S BOOK NOOK
Becky Danese reviews latest book The Real Deal.
POLAR BEAR AT SUNSET
By Heather Angel
Heather Angel captures an extraordinary image of a polar bear, the king of the Arctic, as it walks over ice-covered Hudson Bay in Canada in the setting sun.
TONY HURST GALLERY
Words by Gray Levett
Master photographer Tony Hurst presents his image of the Nikon F Photomic that was released in April 1962.
THE MUSICAL BOX OF MICHAEL PUTLAND
Words by Gray Levett
Music photographer Michael Putland’s archive includes an intimate study of Keith Emerson, keyboard player, composer, pianist and founding member of both The Nice and the enormously successful supergroup Emerson, Lake & Palmer.
