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NIKON RELEASES VERSION 2.0.0 OF THE NX TETHER SOFTWARE

Yesterday Nikon announced the release of Nikon Tether Ver. 2.0.0 – a free of charge, easy-to-use computer software that enhances usability for tethered shooting*1 with a Nikon camera.

Functions that were previously only included with Camera Control Pro 2*2; such as the configuration of a wide variety of camera settings, live view display during remote tethered shooting, and support for video recording, have excitingly now been made available with Ver. 2.0.0.

This new software helps to create a more efficient workflow for photographers shooting in a studio setting, enabling them to showcase their work to the client on a large monitor, whilst proceeding with the shoot simultaneously. In addition, the variety of camera settings that can be configured remotely from the computer have also been increased, supporting professionals to shoot both still images and video in a range of different scenarios – taking their work to the next level whilst maintaining optimum quality.

Designed with convenience in mind, the user interface showcases an organised layout of various options available with tethered shooting. Users can freely adjust the layout of the live view and control displays to better suit their individual needs. The simple, yet multi-functional design enables intuitive operation without hesitation, for increased productivity.

Primary features

  • Support for still-image and video recording
  • The functions that were available for a charge with Camera Control Pro 2, are now available, for free
  • Addition of a live view display, adding greater versatility and convenience to remote tethered shooting from a computer
  • Camera operation functions for control over shooting settings that are unique to Nikon, such as Picture Control and Active D-Lighting
  • Users can select the format (JPEG, RAW, HEIF) in which images are recorded. What’s more, when recording to both card slots (RAW + JPEG or HEIF), the user can choose to have only the JPEG or HEIF images transferred to the computer
  • Wireless control is also possible by using the camera’s built-in Wi-Fi to connect to the computer with Nikon’s free Wireless Transmitter Utility software
  • Supports an efficient workflow with the switch between still-image and video shooting, and a multi-functional yet simple and easy-to-use user interface
  • The application window layout can be arranged to suit the user’s preferences for flexible use in any situation

*1 The process of connecting a camera to a computer or tablet and confirming images real-time on-screen as they are shot.

*2 Current users of Camera Control Pro 2 are recommended to use NX Tether to support a new camera.

Compatible OS

Windows Version:

Microsoft Windows 11

Microsoft Windows 10

Mac Version:

macOS Sonoma 14

macOS Ventura 13

macOS Monterey 12

Cameras supported with Ver. 2.0.0*1

Digital-SLR Cameras: D6, D780

Mirrorless Cameras: Z 9, Z 8, Z 7II, Z 6II, Z 7, Z 6

*1 When a Nikon camera other than one of those listed as being supported with Ver.2.0.0 is connected, only some basic tethered shooting functions are available for use.

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CONTENTS – ISSUE 81 2023

Nikon Owner issue 81 front coverFRONT COVER BY ROSS HODDINOTT

CONTENTS:

EDITOR RECOMMENDS:
Elena Dudar

EDITOR’S LETTER
By Gray Levett

WOMEN IN PHOTOGRAPHY – MICHELLE CHAPLOW: A Room with a View
By Gillian Greenwood
Gillian Greenwood continues her benchmark series on women photographers of today with a feature on award-winning travel and hotel photographer Michelle Chaplow, who has photographed a number of UNESCO-recognised buildings and hotels in more than sixty countries during her career.

WESTERN CANADA AT THE THIRD TIME OF ASKING: Part 2
By John Archer-Thomson
Ecologist, photographer and writer John Archer-Thomson returns to Nikon Owner with the second part of his feature on Western Canada, which includes stories of black bears, sea otters and ‘old growth’ forest. He shares
his and his wife Sally’s colourful adventures with us in photographic detail.

A CLOSER LOOK AT WATER
By Heather Angel
The revered wildlife photographer and writer Heather Angel brings her considerable expertise to the subject of water and its effect on marsh marigolds in spring.

BURUNDI – THE SACRED DRUMMERS OF GISHORA
By Andrew Main Wilson
Our globe-trotting adventurer Andrew Main Wilson explains that for him it is the lesser-known and least-visited countries that have created the greatest sense of photographic fulfilment. Burundi is one such country.

RAIDERS OF THE LOST D(ARK)ROOM – SHOOTING EXPIRED FILM
By Becky Danese
Technical writer Becky Danese guides us through the highways and byways, the pluses and minuses, of using expiring or expired film for a shoot.

JASON FIGGIS: ECHOES OF A LOST WORLD
By Gillian Greenwood
Gillian Greenwood looks at the extraordinary work of the late social documentary photographer Shirley Baker and talks to award-winning filmmaker Jason Figgis about his remarkable film Shirley Baker: Life Through A Lens.

BECKY’S BOOK NOOK
Becky Danese reviews a new audiobook Landscape Photography for Mirrorless and Digital SLR Users by Daniel Lezano and Ross Hoddinott.

TECHNICAL Q&A
Simon Stafford answers the Technical Helpline

THE TONY HURST GALLERY
Words by Gray Levett
When the Nikon F was released in 1959, it was accompanied by a set of Nikkor lenses whose focal lengths were marked in centimetres. There are other markings too, known today as ‘tick marks’. Gray Levett describes them in detail and Tony Hurst captures a Nikon F fitted with a 5cm f/2 Nikkor-S tick-marked lens & rare lens hood.

THE MUSICAL BOX OF MICHAEL PUTLAND
By Gray Levett
Although Jimi Hendrix’s all-too-brief music career spanned only four short years, he is widely celebrated as one of the most influential electric guitarists in the history of popular music. Music photographer Michael Putland’s image captures him at his prime.

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Nikon Zf Roadshow is coming to Grays of Westminster!

Zf Roadshow is coming to Grays of Westminster

 

We are delighted to announce that Grays of Westminster will be hosting a Nikon Roadshow open day on the 27th October from 11am-4pm with the fantastic Bruno Murari, Nikon trainer.

Come along and see the new Nikon Zf, see Nikon’s new lenses and have your questions answered by Bruno and the Grays of Westminster team. And come and say hello to our Nikon Owner staff as well.

No appointment necessary.

Add to your calendar.

 

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Nikon Owner Magazine Celebrates Women in Photography

Nikon Owner magazine issues 79 and 80

Nikon Owner, our highly-acclaimed quarterly magazine, has launched its new series Women in Photography with a major feature on two renowned female photographers, Heather Angel and Annie Cahill. Highly respected British nature photographer Heather Angel is the author of sixty books, was the President of the Royal Photographic Society from 1984 to 1986 and the Founder Chair of the RPS Nature Group. Multi-talented photographer Annie Cahill, one-time Professional Markets Technical Representative for Nikon USA, is the Marketing & Business Development Director for Joe McNally Photography.

The new series will feature women photographers from a wide spectrum of photographic disciplines and examine their outstanding accomplishments in depth. It will explore the highlights of their careers and the reasons they chose their own specialist area of photography. They will share stories and anecdotes with us, tell us about the equipment they use and the reason Nikon is their brand of choice.

Gillian Greenwood, who has been the Features Editor of Nikon Owner for over 20 years, explains why she decided to create the series: ‘While I was researching some material for a book, I was astonished to discover that the provenance of a very early photographic study, ‘The Quillan Leaf’ (1839) was only recently found to be incorrect. Attributed initially to Henry Fox Talbot, it was not until 2015 that it was recognised as being the work of female photographer and artist Sarah Ann Bright. ‘The Quillan Leaf’ is now believed to be the earliest image taken by a female photographer still in existence. This was the catalyst behind my decision to create the series Women in Photography for Nikon Owner. I wanted to celebrate the remarkable achievements of women photographers today and also pay tribute to the exceptionally talented, but sometimes unacknowledged, photographers of the last two centuries. Each of those female pioneers was dedicated to their profession, and by virtue of their own artistic genius and their power to inspire us through their work, have left us an enduring legacy.’

Forthcoming issues will include a feature on Santha Faiia who launched her career as a photographer of ancient and sacred sites in 1990 at the Royal Geographical Society in London with her exhibition Ethiopian Trilogy, an interview with IFTA nominated film and TV director Jason Figgis talking about his ground-breaking film on the social documentary photographer Shirley Baker, who chronicled the devastating effect of the slum clearances on the nineteen-sixties communities in the North of England, and the award-winning work of travel and hotel photographer Michelle Chaplow.

About Nikon Owner magazine

Nikon Owner is a lavishly produced 60-page publication that has become the authoritative reading material for Nikon users since it was first published over 20 years ago. The editor is Gray Levett, founder of Grays of Westminster, the legendary multi-award-winning, exclusively Nikon store based in London. Nikon Owner is dedicated to bringing its readers the latest news and benchmark reviews on Nikon equipment by celebrated photographer and author, Simon Stafford, as well as inspirational articles from many of the world’s leading Nikon professionals, including Joe McNally, Moose Peterson and photographic legend Jim Brandenburg, one of the only five photographers in the world to win the National Geographic Lifetime Achievement Award. In addition, there are regular features by technical writer Becky Danese, major interviews by Gillian Greenwood, stunning images of vintage Nikon by master photographer Tony Hurst, as well as the highly popular World of Wonder series by Andrew Main Wilson as he visits each of the world’s 200 countries. Nikon Owner is also a vehicle for publishing the subscribers’ own work.

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NIKON RELEASES ITS LIGHTEST 600mm PRIME LENS EVER

 

Sales Start Date: 26th October 2023
Recommended Retail Price: £4999 | 5999 ROI

Pre-order now from Grays of Westminster with just a 10% deposit!

Today, Nikon expands its range of lightweight super-telephoto S-Line lenses with the NIKKOR Z 600mm f/6.3 VR S full-frame prime lens. Made to shoot handheld, this sharp 600mm lens delivers thrilling image quality. From wildlife to birds, motor sports, aeroplanes, and more, photographers can capture the speed, power, and grace of distant subjects in stunning detail.

Weighing approximately 1470 g (with tripod collar), the NIKKOR Z 600mm f/6.3 VR S is the lightest 600mm prime lens in its class. With its centre of gravity closer to the camera body, it’s an exceptionally well-balanced lens that allows for super-comfortable handheld shooting: photographers can move with a fluidity that belies the long 600mm focal length even when panning or framing a tight overhead shot.

Whether shooting stills or video, Nikon’s high-performance optics deliver striking images with all the sharpness and pleasing bokeh that only an S-line prime lens can deliver. Even if shooting through the dust or straight into the sunset, images are superbly crisp and clear at any aperture. In low-light situations such as at dusk, dawn, or in a dense forest, photographers can work with up to 6.0-stops of Vibration Reduction image stabilisation to nail steady blur-free shots.1 And those shooting wildlife and birds will appreciate the quiet, accurate autofocus, which tracks and focuses on subjects in near silence.

High-performance sealing ensures this lightweight 600mm lens is more than ready for harsh environments and uncertain weather.2 In addition, those who want even more reach can pair the NIKKOR Z 600mm f/6.3 VR S with a Z series teleconverter with no loss of resolution.

Dirk Jasper, Product Manager, Nikon Europe says: “Our new 600mm f/6.3 S-Line lens frees you to nail incredible shots while shooting handheld! Rich colours, crisp textures, and bokeh if you want it. Viewed alongside the 400mm f/4.5 and 800mm f/6.3 S-Line lenses, it’s exciting to see Nikon widening the options for photographers who want the flexibility that a lightweight, high-performance super-telephoto can bring.”

Summary of key features: NIKKOR Z 600mm f/6.3 VR S

The lightest 600 mm prime in its class: this super-telephoto prime lens weighs approx. 1470 g (with tripod collar) and has its centre of gravity closer to the camera body for optimal balance.

High-performance S-line optics: SR and ED glass control aberrations and colour fringing. Nano Crystal Coat counters ghosting and flare for superb clarity.

AF that stays on track: from aerial tricks to birds in flight, or a fleeting moment of eye contact. This super-telephoto lens will track and focus subjects in near silence.

Up to 6-stop VR image stabilisation: in-lens optical Vibration Reduction (VR) provides stabilisation equivalent to shooting at 5.5 stops slower, or 6.0 stops with a Z camera that supports Synchro VR.1

High-performance sealing: rubber gaskets keep dust, dirt, and moisture away from all moving parts, including the lens mount. Nikon’s fluorine coating makes the front element easy to clean.2

Intuitive fingertip control: functions can be assigned to the L-Fn buttons and the silent control ring. The memory-set button allows instant recall of focus positions.

Sharp, even with a teleconverter: every advantage of this lens’ powerful AF and VR is available while using Z teleconverters. Reach can be increased by 2x (up to 1200mm) or 1.4x (up to 840mm).

Nikon Z8 & Nikkor Z 600mm f/6.3 VR S

FOOTNOTES:

1 Based on CIPA Standards: in NORMAL mode, 6.0 stops of compensation is achieved when the lens is used together with a Z camera that supports Synchro VR. 5.5 stops of compensation is achieved when the lens is attached to a mirrorless camera equipped with a 35mm-film-size image sensor.

2 This lens is not guaranteed to be dust- and drip-resistant in all situations and under all conditions.

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